The 2-Minute Rule for Arrafi musik indonesia

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Pengaruh lainnya datang dari musik Hawai yang kental dengan nada mayor, dan masuk ke Indonesia hampir bersamaan dengan munculnya musik Keroncong.

Akar dari Keroncong ternyata sudah mulai masuk ke Indonesia pada abad ke-sixteen. Musik ini dibawa oleh para pelaut dan budak kapal dari Portugis. Musik seperti ini pada awalnya dikenal dengan nama Fado, di mana namanya itu sendiri merupakan nama bawaan dari Portugis.

Dalam perkembangannya, musik ini mulai dimasukan dengan berbagai macam unsur nusantara, seperti gamelan dan juga suling. Musik Keroncong pun mulai banyak dikenal di seluruh dataran Indonesia, hingga pada akhirnya mulai kembali redup sekitar tahun 1960-an.

Although there are several new “keroncong” compositions, but The brand new “keroncong” songs are seldom posted in media.

exactly the same work was performed by Didi Kempot and Koko Thole who may have offered new colour to “keroncong” songs. They designed efforts to unfold “keroncong” songs to an array of Culture and likewise acquire the audio alone.

Pada masa itu, para pegiat musik Fado harus menyanyikan lagu-lagu mereka di dalam Gereja Protestan dan secara tidak langsung nada yang biasa mereka gunakan pun berubah menjadi mayor.

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the ability of economic capital, the superiority of technology, plus the sophistication of selling floor down regular tunes. This paper tries to research the “keroncong” audio in Indonesia that will still be managed or popularized by means of a variety of means and by making a suitable media of advertising for instance via television and radio to ensure Culture are familiar to “keroncong” audio.

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Salah satu rekan terdekat mengatakan bahwa musik Keroncong adalah musik daerah yang tentu saja mewakili hanya sebagian daerah saja, dan hal tersebut yang membuat tidak semua rakyat Indonesia tidak tahu dan ‘mungkin’ tidak perlu tahu apa itu musik Keroncong.

audio, as being a treasure of Indonesian nationwide music, has been enduring a long phase Because the arrival with the Moorish as Portuguese slaves to Indonesia within the sixteenth century. during the long interval, the “keroncong” audio then, as other forms of traditional new music, has got to facial area market music, Primarily Western new music.

Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-sixteen dan dibawa oleh para pelaut dan budak kapal dari Portugis.

Selain website adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-sixteen, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.

The emergence of “campursari” inside the nineties, pioneered by Manthous, brought a power of desire and have become a magnet for supporters and activists of “keroncong” and traditional new music so which they value the music and a lot of teams of “campursari” music that is rooted from “keroncong” grew.

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